THE BREEDER
Scott Myles, SORRY, 2010, ink on reverse side of Felix Gonzalez -Torres poster, perspex, brass, 197.5 x 133 x 3.8 cm
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Maria Hassabi
Centre Pompidou | FR (+)
Theo Triantafyllidis
Thomas Foundation | USA (+)
Theo Triantafyllidis
Depart Foundation | USA (+)
Andreas Lolis
Salzburg International Summer Academy of Fine Arts | AT (+)
Angelidakis/ Plessas/ Socratous/ Varelas/ Vasmoulakis
Acropolis at the Bottom | GR (+)

Scott Myles’ practice adopts and appropriates many ideas and forms from a variety of sources and traditions and yet the resulting works have a highly individual, visual vocabulary. Although resolutely contemporary they can be seen to explore more timeless ideas of cycles. However, within this enquiry it is thresholds that provide a recurring theme: unclaimed, ambiguous areas between inside and outside, between order and chaos, between the physical and the ephemeral, and between two and three dimensions. (text by Rob Tufnell, 2005, for Scott Myles’ exhibition catalogue published by The Breeder)