THE BREEDER
Lust for Life
Curated by Elena Tzotzi. Participating Artists: Sture Johannesson, Mika Taanila, Magnus Thierfelder, Alex Villar, Ylva Westerlund
PREVIEW
22 Jun. 2006  8-10pm
DURATION
22 Jun. 2006 to
22 Jul. 2007
HOURS
Tues. to Sat. 12–6pm
PRESS

The Breeder is pleased to present the group show LUSTFORLIFE. The exhibition has grown out of the will to put emphasis on the joy of experimenting and the use of humour as a means to address and deal with various matters of concern. The works that are brought forward focus on the potential of humour as a strategy of refusal by using a curious and inventive manner that play around with codes consistent in our society. 

The broad field of the visual arts can be a place of possibilites, a space of proposition that privileges the free imagination and the necessity of rethinking, questioning and testing. At the same time we constantly struggle and learn to adjust how to take in information, to classify and rationalize in order to move on. The better we get at it, the faster we can move on, so we learn to take shortcuts and rely on received interpretations. We simply learn how to use the system the way it is designed to work. 

The exhibition LUSTFORLIFE is not about the shortcuts of rationalization, but on the contrary about the detours of imagination and invention.

In the film Future Is Not What It Used To Be (2002) Mika Taanila portrays and documents Erkki Kurenniemi and his pioneering work within the field of electronic music, computers, robotics, science and art. Mika Taanila’s story is a fascinating depiction of a visionary who was able to develop his experiments within the visual arts, when the academic world of science could not really fit him in. 

As a counterpoint, Sture Johannesson began exploring digital technology from the 1960s onwards due to the fact of “not fitting” into the Swedish art world at the time. His work is a result of a practice of artistic, technological and chemical experimentation rooted in the discourse of radical social politics that emerged in the 1960s. With a strong belief in the power of the image, he playfully arranges his sharp and critical observations. 

Another way of observing and translating is to be found in the work of Ylva Westerlund where we encounter intellectual experiments and ideologies in peculiar hybrids. Westerlund constructs analogies between opposite, incompatible standpoints offering an apparent, but quite logical consensus. In the installation entitled C (2004) the story of Frankenstein’s monster is linked to gender theory. The idea to introduce C as a new subject seems to be the only logical solution in order to achieve a total and just equality. But nevertheless, by stating a new order one automatically creates a new set of rules and regulations.

In a poetical and yet anarchic manner, Alex Villar challenges the regulated public space. Irrational Intervals (2002) dwells upon those rare moments when, in the fast-moving life of the city, the body is temporarily at rest. The strange, empty pockets in the architecture of public space become apparent when used here to take a break, but the single act of smoking in order to justify the pause works as a means of tricking and normalizing the position of the body in those peculiar spaces. 

The monotony of an everyday pattern is being emphasised and turned into an act of a subversive everyday revolt in the installation Lost Control (2005) by Magnus Thierfelder. The characteristic office plant has left its artificial milieu, departed from its pot and gone up to the ceiling. The magic of an imagininative and ingenious action becomes the way out. It’s precisely in this act of insecurity, when standing in front of a non-logical situation, that one has to sharpen one’s attention. And it’s in this moment of pause and surprise we play a trick on the system. 

This strategy of refusal is about not accepting already given forms, but instead pushing things forward and imagining the impossible.
 Exhibition curated by Elena Tzotzi.

 Supported by: 


The Swedish-Greek Cultural Committee
Frame
Moderna Museet
Embassy of Sweden

 
2017
16 Nov. 2017
23 Dec. 2017
Athens
21 Sep. 2017
21 Oct. 2017
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21 Sep. 2017
21 Oct. 2017
Athens
24 May. 2017
31 Aug. 2017
The Breeder Playroom
19 May. 2017
05 Jun. 2017
Pireos 123, Athens
06 Apr. 2017
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06 Apr. 2017
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The Breeder Playroom
22 Feb. 2017
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30 Oct. 2015
The Breeder Playroom
24 Sep. 2015
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24 Dec. 2004
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2017
16 Nov. 2017
23 Dec. 2017
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21 Sep. 2017
21 Oct. 2017
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21 Sep. 2017
21 Oct. 2017
Athens
24 May. 2017
31 Aug. 2017
The Breeder Playroom
19 May. 2017
05 Jun. 2017
Pireos 123, Athens
06 Apr. 2017
28 Aug. 2017
Athens
06 Apr. 2017
28 Aug. 2017
Athens
06 Apr. 2017
06 May. 2017
The Breeder Playroom
22 Feb. 2017
18 Mar. 2017
Athens
19 Jan. 2017
18 Feb. 2017
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2016
15 Dec. 2016
30 Dec. 2016
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27 Oct. 2016
26 Nov. 2016
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23 Jun. 2016
31 Aug. 2016
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28 May. 2016
31 Aug. 2016
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18 May. 2016
18 May. 2016
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23 Apr. 2016
23 Apr. 2016
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31 Mar. 2016
14 May. 2016
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25 Feb. 2016
24 Mar. 2016
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16 Jan. 2016
13 Feb. 2016
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2015
17 Dec. 2015
01 Dec. 2016
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19 Nov. 2015
24 Dec. 2015
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31 Oct. 2015
30 Nov. 2015
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03 Oct. 2015
30 Oct. 2015
The Breeder Playroom
24 Sep. 2015
24 Oct. 2015
Athens
23 Jul. 2015
23 Aug. 2015
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28 May. 2015
31 Jul. 2015
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22 May. 2015
29 May. 2015
Playroom
16 Apr. 2015
18 Apr. 2015
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02 Apr. 2015
16 May. 2015
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19 Feb. 2015
28 Mar. 2015
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2014
16 Oct. 2014
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27 Aug. 2014
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30 Jul. 2014
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2013
05 Dec. 2013
28 Feb. 2014
Monaco
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26 Oct. 2013
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11 Jul. 2013
20 Sep. 2013
Monaco
06 Jun. 2013
06 Jul. 2013
Monaco
20 Apr. 2013
29 Jun. 2013
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30 Mar. 2013
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10 Feb. 2012
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07 Jan. 2012
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10 Dec. 2011
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12 Sep. 2011
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