Theo Triantafyllidis
Art Basel Parcours

The 2025 edition of Parcours is curated for the second time by Stefanie Hessler, Director of Swiss Institute New York. Art Basel’s free public sector is conceived as a curated exhibition that unfolds throughout empty stores and operational shops, a hotel, an underpass, an office building, the river front, and other quotidian spaces in Basel. Hessler’s curatorial concept “Second Nature” focuses on artistic projects that explore the blurry boundaries between nature and artifice, original and repetition, habits and interruptions through the unexpected, including sensory perceptions beyond the visual. Presenting over 20 ambitious, largely new and site-responsive projects by emerging artists alongside influential historic positions, this edition of Parcours is distinctly intergenerational.

“Second Nature” is a term that refers to deeply engrained habits, customs, and rituals. In Parcours, the expression is explored through multivalent interpretations. Several artists question what is perceived as natural, examining apparently unchangeable patterns as well as the supernatural, artificiality, and subverted expectations. A selection of projects focuses on the incessantly proliferating loops of images and information as contemporary rituals shaping attitudes and desires. Various artists explore storytelling throughout the ages and media, from analog and animalistic fables to algorithmically powered narratives shaping nature and culture, or what is considered natural and true. Again others engage spaces charged with the interplay of personal memory and historic narratives. Finally, several projects address the valuation of bodies and life between flesh, commodity, and artifact.

The Breeder in collaboration with Meredit Rosen Gallery, is pleased to present Drift Lattice‬‭ by Theo Triantafyllidis, an immersive‬‭ simulation of an underwater ecosystem‬ where marine life and synthetic debris intertwine. Aquatic species navigate through masses‬ of seaweed, nets, and plastics, alongside cleanup drones that attempt to restore balance.‬ This evolving digital environment subtly responds to real-time climate and ecological data,‬ reflecting the fragile state of global marine ecosystems.‬‭ Through this intricate simulation, Drift Lattice questions the boundaries between life and‬ ‭ lifelikeness, natural and artificial, prompting viewers to consider the evolving interplay‬ between these forces in an era of ecological uncertainty.‬‭ The subtle responsiveness of the‭ system to real-world data not only underscores the immediacy of ecological challenges but‬ also serves as a speculative barometer, tracking humanity’s ongoing impact on ocean‬ health.‬

Theo Triantafyllidis (b. 1988) is an artist who works with digital and physical media to explore the‬ experience of space and the mechanics of embodiment in hybrid realities. Utilizing‬ algorithms and game engines, virtual reality headsets and experimental performance‬ processes, he creates interactions within immersive environments. He holds an MFA from UCLA, Design Media Arts and a Diploma of Architecture from the‬ National Technical University of Athens.‭ Theo Triantafyllidis has shown work in museums, including the‬ Whitney Museum in New York, Centre Pompidou in Metz, Buk-SEMA in Seoul, House of‬ electronic Arts in Basel and NRW Forum in Dusseldorf and galleries such as Meredith‬ Rosen Gallery, The Breeder, Nagel Draxler and Eduardo Secci. He was part of the 2021‬ Athens Biennale: Eclipse, Berliner Festspiele 2021, Sundance New Frontier 2020 and Hyper‬ Pavilion in the 2017 Venice Biennale.‬

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